Monthly Archives: December 2013

“‘Cymbeline’ offers the chance to take on an utterly transporting text, sing a song, dance a jig, have a sword fight, play lovers, villains, and fools, and have another sword fight, all before the intermission.”

Cymbeline Act Four, Part Two By Dennis Abrams ————————- Before we probe deeply into Act Five after our New Year’s break and try to figure out exactly what Cymbeline is all about, I thought it might be nice to share … Continue reading

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“Fear no more the heat o’ th’ sun/…Thou thy worldly task hast done,/Home art gone and ta’en thy wages./Golden lads and girls all must,/As chimney-sweepers, come to dust.”

Cymbeline Act Four, Part One By Dennis Abrams —————————- Act Four:  While out hunting, Belarius and his “sons” meet up with Cloten and kill him after he challenges them. Imogen, meanwhile, not feeling well, takes the Queen’s “medicine” provided by … Continue reading

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“We have almost as great an affection for Imogen as she had for Posthumus; and she deserves it better. Of all Shakespeare’s women she is perhaps the most tender and the most artless.”

Cymbeline Act Three, Part Two By Dennis Abrams —————————— From Bloom: “Posthumus, even as an ideogram, is no fun. Shakespeare knew that a play must give pleasure, yet he portrays Posthumus as a very painful character, whose name refers both … Continue reading

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“For mine’s beyond beyond…”

Cymbeline Act Three, Part One By Dennis Abrams ——————————– Act Three:  In Britain, Cymbeline has refused to pay the annual tribute to Rome, to which the Roman ambassador Lucius responds by declaring war. Meanwhile, Pisanio has received a letter from … Continue reading

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“Cymbeline is a pungent self-parody on Shakespeare’s part: we revisit King Lear, Othello, The Comedy of Errors, and a dozen other plays, but we see them now through a distorting lens.”

Cymbeline Act Two, Part Two By Dennis Abrams ————————————————- To continue with Harold Bloom, who strongly disagrees with Tanner’s admiration of the play: “Shakespeare gives a very vivid instance of antithetical technique in Act II, set in Imogen’s bedchamber, where … Continue reading

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“I lodge in fear./Though this is a heavenly angel, hell is here.”

Cymbeline Act Two, Part One By Dennis Abrams  ——— Act Two:  Determined to win his bet, Iachimo asks Imogen to safeguard a large trunk which he (surprise!) hides in, coming out as she sleeps and stealing her bracelet. Returning to … Continue reading

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“Imogen is one of the great women of Shakespeare or the world.”

Cymbeline Act One, Part Two By Dennis Abrams ——————————– From Harold Bloom first, whose dislike for the play I find rather bewildering: “Cymbeline begins with a conversation at court between two unnamed gentlemen, one a stranger, thus allowing Shakespeare to … Continue reading

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“Sluttery, to such neat excellence opposed,/Should make desire vomit emptiness,/Not so allured to feed.”

Cymbeline Act One, Part One By Dennis Abrams —————————— MAJOR CHARACTERS Cymbeline, King of Britain Princess Imogen (aka Innogen in the Oxford edition), Cymbeline’s daughter (later disguised as Fidele Posthumus Leonatus, Imogen’s husband, a poor gentlemen Queen (unnamed), Cymbeline’s second … Continue reading

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“I have a quite unjustifiable sense that Shakespeare would like us to experience this play as somehow taking place at the very periphery of vision, where lands and times and events merge together…”

Cymbeline An Introduction By Dennis Abrams ———————————————– Even now, no one is quite certain exactly why Cymbeline, one of Shakespeare’s final comedies (if that’s truly what it is), was included in the list of “Tragedies” in the First Folio, but … Continue reading

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“Love is my sin and thy dear virtue hate,/Hate of my sin, grounded on sinful loving:”

Shakespeare Sonnet #142 Love is my sin and thy dear virtue hate, Hate of my sin, grounded on sinful loving: O, but with mine compare thou thine own state, And thou shalt find it merits not reproving; Or, if it … Continue reading

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