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Cobbe Portrait of William Shakespeare
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Tag Archives: lyric intensity
“Take, but good note, and you shall see in him/The Triple pillar of the world transform’d/Into a strumpet’s fool: behold and see.”
Antony and Cleopatra Act One, Part Two By Dennis Abrams ————————– A couple of observations: 1. G. Wilson Knight called Antony and Cleopatra “probably the subtlest and great play in Shakespeare,” adding “This is the high metaphysic of love which … Continue reading →
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Tagged act one, Antony and Cleopatra, antony cleopatra, Apolloian, Brutus, Cassius, Cleopatra, Comedy, Dionysian, drama, Egypt, Elizabethan theater, Elizabethan tragedy, Enobarbus, entertainment, Falstaff, G. Wilson Knight, Hamlet, history, Julius Caesar, language, literature, lyric intensity, Mark Antony, Octavius, politics, Rome, sensuous delight, Shakespeare, Spencer, The Fairie Queene, W.H. Auden, William Shakespeare, writing
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